Need to add edge to your tone? The key benefit here is that you can stack the overdrives together to make some incredible sounds – something which Blues guitarists love to do. The Fulltone OCD V2 Overdrive Distortion Pedal is another industry standard that couples an overdrive circuit with a distortion, making it a great live and studio pedal. Try this out - you'll love it. First of all, if you’re reading this and you don’t understand the difference between an overdrive pedal and a distortion pedal, don’t worry, we’ve got you covered with our handy guide to the differences between overdrive and distortion here. If you love this pedal but want something slightly warmer with a far more precise sonic offering, then the Boss Waza Craft SD-1W Super Overdrive with all analogue circuitry is perfect as you have 2 settings – Normal and Custom. Instead of just slathering on more distortion, the MojoMojo’s drive control sets the breakup threshold, similar to gain controls on a tube amp. Compression allows you to reduce the dynamic range of your signal that can be used creatively to encourage some steady, sustained sounds.
The Walrus Audio Janus is perfect for creative musicians who like to dabble with a variety of effects. We take a look at the 11 best compressor pedals that'll help you nail your tone ensuring every note rings loud and true. Early adopters included the Beatles, the Rolling Stones, Roy Orbison, and Sly and the Family Stone, among many others. We think it’s one of the best overdrive pedals as it provides the option of boosting your drive as well as your level, which is extremely handy. To get this effect, they use transistors to add gain to your signal which adds harmonics to your sound as soon as it is amplified.
Best of all you can choose which pedal is first in the chain which affects your sound differently. It works perfectly with any amp or rig! It will be less suited to those who are looking for a brighter, more modern sound. As with the other items on this list, the tone allows you to shape your highs, mids or lows, whilst the level controls let you choose how long the sustain lasts for. The treble dial allows you to shape higher frequencies to suit your style. It has just three controls: volume, fuzz, and tone as well as the footswitch to turn it on or put it into true bypass, and it’s easy to use. If you’re playing a valve amp it’ll push the tubes into that sweet spot and give you an “overdriven” sound. Big/tight toggle gives you access to a wide range of sounds. The small, but very powerful Way Huge Smalls Supa-Lead Overdrive takes up less room, but provides a massive sound. There are some hybrid options that let you toggle between germanium and silicon settings, allowing you to effectively have both effects in one box.
And, if you try it at home? If you’re already familiar with overdrive pedals and you want something that offers far more control over your sound than smaller pedals offer, then the Fender Santa Ana Overdrive Pedal is ideal. Darkglass pedals have become ubiquitous fixtures on the pedalboards of metal and hard rock bass players, and for good reason — they’re jam-packed with attitude and capable of slicing through the densest auditory fields. This is an industry standard that offers a level of sustain and compression that the SD-1 might lack. Learn More. Well look no further, as we offer up 7 of the best distortion pedals ever ... We provide a complete beginners guide to guitar effects pedals, or just need to know the essential guitar effects pedals for your board! And, like some of the other pedals on this list, the Scrambler has a blend control for striking the optimal ratio of wet-to-dry signal. So, what’s the big dill about the Way Huge Pork and Pickle Smalls Bass Overdrive pedal? The Fuzz Tone pedal was released in 1962 and didn’t really catch on until Keith Richards used one on the opening riff of “Satisfaction” and the floodgates opened. It will be less suited to those who are looking for something modern and technologically controllable. Hidden in the chassis, a tweakable gate control can be used to tame unwanted noise, or it can be cranked for a buzzing, dying-battery effect that swarms from your amp like a hive of provoked hornets. There are two footswitches, one which turns it on or into true bypass and one which can be set to either tone blast or octave shift, plus there are gain, starve, volume and treble dials filling the bulk of the pedal. Lee Glynn. The input controls how much of your guitar goes through it, and the output controls the volume of what comes out. Tone purists rejoice! A very cool option with the usual controls; but what sets it apart is the inclusion of gate, bias, enhance and even a 3-band EQ. This works in perfect harmony with valve amps, pushing your sound over the edge when you need it. It can be run off a 9V battery or using a 9V power supply and its recommended that you use a battery, as it eats up so little and can also encourage a warmer tone. Scoop and crunch dials adjust frequencies and compression. If you want a bit more control over the feedback you’re creating, it might be worth looking out for this feature. Germanium transistors offer vintage sounds. These awesome pedals can produce violin-like sustain, giving your guitar licks the power they deserve.
We discuss a selection of the best effects pedals for synths that will add a new dynamic to your synthesiser sound. The tone wizards at Gamechanger designed this pedal to work with any source — guitars, synths, drums — but it absolutely grinds on bass. You can add everything from a subtle boost to all out saturation depending on what you need.
The one downside is, they’re prone to be unreliable (in terms of tone) as no two sound exactly the same. It’s easy to shift between the two at the flick of a switch, which is placed between the volume and fuzz controls. The Electro Harmonix Hot Wax Dual Circuit Overdrive Pedal combines the most recent Crayon overdrive (above) with the awesome Hot Tubes overdrive (a reissue of the classic 1970s CMOS overdrive). The tone knob changes the timbre of the sound from extremely bassy to screamingly high. If you want to add a just dash of grit and harmonic saturation to your bass tone, then you can’t go wrong with Keeley’s Super Phat Mod Full Range Transparent Overdrive pedal. It’s very versatile which will be highly suited to tech-oriented guitarists who like to get their hands as well as their signals dirty. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more.
This is two now classic pedals in one chassis.
Another definitive fuzz pedal of the late 1960’s was the Sola Sound Tone Bender made famous by Jeff Beck and Jimmy Page. You can play each pedal independently as well, so there’s plenty of tonal options. Gain, starve, volume and treble dials give you control over the shape of the effected signal. This pedal beautifully replicates the smooth transition of a valve amp going through the stages of tube break up, but also blends your clean signal with the effect. Hit the switch, lock in with a kick, and you’ll be serving up some serious thump! They’ll answer all your questions and get you the perfect pedal pronto! As we’ve already mentioned, the main reason people use them is to make their guitars sound dirty. It’s battery-powered only, which is unusual for one of these, but it’s in keeping with its vintage looks, tone, and design. If you like your sound a little more on the darker spectrum but want to switch to a brighter sound at a moment’s notice, you’ll love the Bright switch, which instantly adds an injection of high-end to your sound and helps cut through the mix. The gain controls how overdriven your sound is, the starve adjusts your feedback and the volume sets your output level. Germanium transistors give it a warm sound. This pedal provides far more touch sensitivity than its predecessor as well as more complex overtones without ever changing the tone of your amp.
When you’re distorting everything that comes through your signal to the max, a gate can help you to ensure that nothing unwanted is getting maximized in this way. However, this also reproduces the warmth of a saturated valve amp and helps your amp respond better to your playing when you're using a solid state. Unfortunately, an original OD808 will cost us the price of a small car, which is why were so happy that Maxon decided to re-release their legendary pedal which started the entire overdrive conversation in the first place. NB: When we use the word “saturated” we mean when your tubes are being driven to the point of break up. If you’re using a valve amp, and you want to push your tubes into that lush saturation without having to run over to the amp and turn the gain up, then an overdrive pedal is a must-have and an integral part of many pro-level guitarists sound. Silicon and Geranium modes give you the option of tight and modern or vintage and warm. If you’re looking for something that’s true to the ‘60s, Death By Audio’s pedal is the most alike to original models, with its three controls and the circular design. Simply connect the pedal via USB to any iOS or Android device, Mac, or PC, and you’ll have access to over 40 custom tone algorithms from no-nonsense grit to modulated madness and sputtering, glitched-out synth tones.
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How much of a dynamic range do you want?
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